Vincent is usually a well-respected cop, as well as a passionate husband and father. But below the exterior of his idyllic existence, Vincent is involved using a very dangerous group regarding gangsters and drug dealers. When Vincent and the partner are caught stealing an immense quantity of cocaine from the powerful drug lord, the darker side involving Vincent's life threatens to help destroy his family and career. In a race against the clock, Vincent must return the drugs to avoid wasting his son's life.
Jardin wastes no time easing into your action, as the movie unwraps on police partners Vincent (Sisley) and also Manuel (Laurent Stocker) intercepting some sort of cocaine hand-off in what becomes a car chase and bullet-laden have difficulty. We learn that the cops are intending to keep the stash with regard to themselves, but when mob boss/nightclub manager Marciano (Serge Riaboukine) catches wind from the double-cross, he kidnaps Vincent's kid Thomas (Samy Seghir). The ensuing race against time for you to rescue his child, which ends up involving other cops through the force (among these individuals the lovely Lizzie Brocher? as Vignali) develops almost entirely within the bowels of the nightclub.
A single-location film is usually a feat unto itself, but Jardin makes 2 incredibly smart decisions: First, he treats the location to be a character, introducing us to its various components – back again rooms, kitchens, walk-in freezers, overhead crawl spaces, bathrooms, pool halls, dance floors – and builds on their importance, eventually involving them inside the action. Second, he utilizes a shrill credit score, the duality of blown-out and shadowed lighting, handheld camera techniques and extremely cramped set pieces in order to mount the building tension using a sense of disquieting claustrophobia. The director was and so intent on authenticity when it located a feeling of suffocation he refused to open upward walls or build special set pieces for the camera to fit into; every location is genuine, and every shot is scheduled up within it. No Hollywood tricks are used here, and it makes all the difference.
In addition to Jardin's deft do the job behind the camera, Sisley's devotion to his role – the two emotional and physical progress of his character – is palpable. Whether he's breaking down in a very stairwell, beating a man within a back room or behind the wheel during a high-speed run after, Sisley is giving 110 percentage. Plus, he does his unique choreography and stunts. Watch your backs, Bruce Willis, Tom Cruise, Matt Damon, Denzel Washington, Daniel Craig and Co. – this guy would be the truth, and he's nipping at your heels.
Sleepless Night is a type of thoroughly satisfying, endlessly entertaining and totally adrenaline-inducing films that grips on and do not lets go. There are echoes regarding Hitchcock films, The Raid, Die Hard and Push within its frames (although Jardin would tell you he was primarily swayed by South Korean cinema for example Oldboy), but it does itself justice by proving as a fully developed standalone piece of cinema. Don't wait for the remake to place this one on your radar: Jardin's version of Sleepless Night is the original, and an instant basic.
Watch Sleepless Night Free Stream
